A Chapter Removed from The Wolf Pack.

The half-elf leafed through the book he was studying. He was due to take the tests to end his apprenticeship soon. He was a tall, handsome young man, just over six feet with shoulder-length auburn hair, a closely trimmed beard and eyes of an intense deep blue. 

He sat in the study at the home of Mabryl in Bluehaven, which was situated on the south coast of the land of Grosmer. With him were Mabryl’s other two apprentices, fourteen year old Tomac and sixteen year old Emmienne. 

Tomac pushed a lock of his unruly dark hair out of his eyes. ‘I think that’s the Master coming in now, Carthinal. You’d better get looking as though you’ve been doing something instead of moping around waiting for that letter, or you’ll be in trouble.’

Mabryl, his master and adopted father had sent off to the Mage Tower in Hambara asking for the young man to be considered for the tests at the next opportunity.

As Tomac spoke, the door opened and Mabryl entered, shaking his cloak as he did so. ‘It’s pretty cold out there, and it’s turning to snow if I’m not mistaken. Unusual this far south.’ He turned to his three apprentices. ‘Have you finished the tasks I set you?’ He hung his cloak on a stand by the door. 

Carthinal stood and ambled to the fire, putting a fresh log on to the flames. ‘Come and get warm, and, no I’ve not finished. I can’t settle to anything until I hear about whether I can take the tests soon. I think Emmienne has finished though. I can’t say about Tomac.’

‘Nearly,’ replied Tomac, jumping from his chair and carrying his workbook to his master. ‘I was a little stuck on the moon phases, though.’ He ran his fingers through his hair. ‘It’s complicated trying to work out both moons at the same time.’

‘Stick to it, youngster,’ said Emmienne from the window seat. She grinned across at the younger boy, the grin lighting up her otherwise plain face. ‘I had problems too, but it comes eventually.’

Tomac groaned and went back to his seat.

‘I’ve finished though, Sir,’ she said. ‘I’ve learned that new spell you gave me and am sure I can make it work. When can I try it?’

Mabryl laughed. ‘Such enthusiasm. We’ll try it tomorrow, I think. In the meantime, I’ve made what I think may be a big discovery. Perhaps the most important one for many, many years. Look.’ He put an ancient-looking book on the table. It had a red leather cover that sported a few cracks and scratches. On the front, in what had once been gold lettering, was the name Armron Filibur.  

The three apprentices gathered round.  

‘I think it may be a spell book from before the Forbidding,’ Mabryl said 

Emmienne gasped. ‘That is old. And if it is, we’ll be able to find lost spells. You’ll be famous, Sir.’

‘Calm down, Emm. It may not be the spell-book of a magister, or even an arch-mage.’ Cardinal smiled at the girl . ‘It may only have the spells we already know and not any of the lost ones.’

Around seven hundred and fifty years previously there had been a war between conflicting mages. It caused such devastation and hardship that, when it had ended, the king forbade the use of magic on pain of death. He ordered all spell books to be burned. 

Some mages, however, hid some of their books and these came to light occasionally. 

During this time, much knowledge was lost and now mages worked to try to re-discover the lost spells. If this book were to be of use, it would need to be taken to one of these mages.

The door opened and Lillora, Mabryl’s housekeeper entered. ‘Sorry to disturb you, sir, but a bird arrived a few minutes ago. I thought you should know.’ She glanced towards Carthinal and grinned, a twinkle in her eye. ‘Probably nothing important though.’

‘I’ll come and look,’ Mabryl stood and left the three apprentices to their own devices.

Carthinal picked up the book and leafed through it. He could understand little of what was written there. Firstly it was in an archaic script and language and secondly he was as yet only an apprentice and had not acquired the knowledge to understand more than a limited number of spells. 

He frowned as he tried to read the words on the page. As he lifted the book from the table to take it nearer to the light, a loose page fell onto the floor. He stooped to pick it up and realised he could read it, unlike the rest of the book, and that it was not a page fallen out, but a note that had been inserted there. He took it to the window seat and sat by Emmienne to read it.

‘What’s that?’ The brown-haired girl strained to read it upside down.

‘I’m not sure.’ Carthinal wrinkled his brow. ‘It fell out of the book Mabryl bought, but it’s not the same writing, nor is it in the same archaic script. It’s a note of some kind.’ He paused to read it.

As he read the note, Mabryl came back holding a piece of paper in his hand.

‘It’s good news, Carthinal,’ he told the young man. ‘There’s a space for you to take your tests in the next batch, which take place just before Grillon’s Day. As that’s in about five sixdays we’ll need to leave here soon to allow us time to settle in before your ordeal. What’s that you’ve got there?’ He strode to the window seat and looked at the paper in Carthinal’s hand.

‘It fell out of the book you bought,’ Cardinal replied . ‘It doesn’t seem to be by the author of the book though. It’s in a more modern script that I can read. It doesn’t make much sense though.’ He handed it to Mabryl who read it, then reread it, this time out loud.

‘“When Kalhera descends from the mountains, and orcs once more roam the land,

When impossible beasts occur and the Never-Dying man is once more at hand.

Then the Sword that was lost must once more be found; only it can destroy the threat

And kill the immortal mortal to balance out his debt.”

‘It does seem a strange thing to write,’  Tomac said, ‘and it doesn’t make a lot of sense either. How can Kalhera descend from the mountains? She’s a god and the gods don’t come down to Vimar.’ 

Mabryl turned the page in his hand and saw some more writing on the back. 

‘This says it’s a quotation from something the writer heard and wrote down. The author says he visited the Oracle on Holy Island and this was what he was told the Oracle said earlier in the day to no one in particular. Only the attendants were present.’ 

He replaced the paper in the book on the table and turned to Carthinal. ‘We must take this to a colleague of mine in the Mage Tower when we go. She’s working on finding the old spells, I believe, and this may be of use to her. The loose note may be a prophecy if it came from the Oracle, but who knows when it was made? It could be that it was centuries ago, or yesterday; and it could be referring to a time well in the future or even in the past. I think we should ignore it for now. Lillora told me our lunch is almost ready, so I suggest we go to the table before she gets mad.’

The three apprentices forgot all about the book and the note as they enjoyed the housekeeper’s excellent cooking and after the meal they returned to their studies. 

Mabryl gave them all tasks to complete and went out again, taking the book with him.

<<>>

Duke Danu of Bluehaven had trained at the Mage Tower in his youth. He had some talent for magic, but with the death of his elder brother in an epidemic, he had to take over the duties and prepared to become the duke one day. He had never taken the tests to end his apprenticeship, but he retained an interest in magic and still practiced it in a small way. ‘To keep my hand in,’ he told people. 

Today he sat in his study going over the accounts of the duchy when a knock came at the door.

‘Arch-mage Mabryl to see you, sir,’  his butler said.

‘Send him in.’ Danu rose from his seat and clasped Mabryl in a hug. ‘You’ve not been to visit in some while, my friend,’ he scolded. ‘Busy with your three apprentices, I suppose.’

Mabryl smiled at his friend. ‘Yes, they keep me busy. Carthinal’s ready to take his tests and become a full mage now.’

‘Is that so?’ Duke Danu raised an eyebrow. ‘Doesn’t time fly? Hardly seems any time at all when you took that scruffy little urchin off the streets. Everyone thought you were mad, you know–taking a street child to be your apprentic, then adopting him? Well, we were wrong. He’s turning out all right.’

‘Considering his background, yes. He still has his faults and I can’t say there weren’t times when I agreed with you I’d done the wrong thing. He still needs to control his temper better and his good looks don’t help him to control his baser instincts. Girls, and older women too, flirt outrageously with him, and he enjoys it a little too much! But I didn’t come here to talk about Carthinal. I’ve made a discovery and I want your opinion.’

 He pulled the spell-book out of a bag at his side. ‘I’m going to take this to Yssa at the Mage Tower when I take Carthinal. She’ll be the best to decide how important it is.’ He handed the book to Danu.

The duke whistled. ‘This is important, Mabryl. I can’t read it, but it certainly looks like a spell-book to me. It’s old and could easily date to before the Forbidding.’ He picked up the note that was still between its pages. ‘What’s this?’ 

‘A little note that was in the book. Carthinal found it. It doesn’t seem to belong to the book though, and I’ve thought it could be a hoax; someone putting a seeming prophecy in an important old book.’

‘Maybe, but I don’t think so. Some research I’ve been doing suggests that Grosmer is about to face some danger. This may be a prophecy about that. I would suggest you take it to Rollo in Hambara when you go. His library’s much more extensive than mine and he can find out more. I’ve been in touch with him about this possible danger so he knows a little of what I suspect.’

‘I don’t know Duke Rollo,’ Mabryl replied. ‘He may not believe me. I’ve heard he’s a suspicious man. I think there is a possibility this note is a hoax even if you don’t. I’ll need to prove that I’ve come from you.’

‘I’ll write you a letter to give to him.’ Danu ambled to his desk and lifted his pen. ‘I’ll also give you this.’ He picked up a small statuette of a trotting horse, about three inches long and two high that sat on his desk. ‘It’s one of a pair we found in our adventuring days. He has the other. He’ll know I’ve sent you when he sees that, especially if you ask him about the other one. Now, go and sit by the fire and I’ll get some wine for us to drink while we talk about other things.’

The two old friends spent the afternoon remembering past times and gossiping about the goings on in the city of Bluehaven as the afternoon passed into evening and the duke’s work lay unfinished on the desk.

If you would like to find out more about this prophecy and what it means, click on the book title in the sidebar.

(This was supposed to be scheduled for next Tuesday, but WordPress, in its wisdom, has decided I should post it now! So this is next week’s post early.)

British Wild Flowers: The Blackthorn

I was driving along the roads around her a couple of days ago and the blackthorn was in full bloom. It struck me that I’d not posted a British Wild Flowers post for ages.

So let me introduce The Blackthorn.

This tree is in flower right now. Large areas of white are visible in every hedgerow around here (East Sussex in the south east of the UK).

It is one of the earliest trees to bloom. I’m calling them trees because they can grow to four metres. Yes, that’s a smallish tree, but I think it’s bigger than a bush! However, because they are often found in hedges, they are trimmed and I’ve not seen a really tall one for ages.

They can live for 100 years, apparently.

Image by Lenny Löwenstern from Pixabay

They are one of the earliest bushes to bloom in spring, usually around March. As such, they are very useful for insects to find nectar and pollen at this early time. The leaves are also the food for a number of butterfly caterpillars.

As the dense stems are very thorny, they provide an excellent nesting site for birds, and the caterpillars and other insects that eat it become an easy meal for them.

They have been associated with witchcraft and it was said that witches wands were made from its wood. More prosaically, it was used to make walking sticks and it is said to burn well.

In the past it was used to make tonics. Bark, flowers and fruits were used for these.

It belongs to the genus, prunus (Prunus spinosa), and is thus related to the cherry, plum, peach, nectarine, apricot and almond. Like them, it has a fruit containing a stone, but unlike them, you wouldn’t want to munch on them.

Image by Hans from Pixabay

The fruit is called a sloe. It is a small black fruit , but you wouldn’t want to eat it as it is because it’s very sour and bitter. However, when cooked, it is much more palatable. Sloes are often made into jam and sloe gin.

To make sloe gin, you need 500 ml gin, 250g of sloes and 250 g of sugar. and a 1 litre jar with a tight-fitting lid.

First prepare the sloes by cleaning them and pricking them all over with a fork. I believe that freezing them works, too. This is to break the skin so the juice can escape.

Add the sloes to the jar along with the sugar and gin. Shake it thoroughly. (Don’t forget to put the lid back on first!) Shake daily for the first couple of months, then weekly for about 3 months. Store it in a cool dark place.

The gin will have taken on a deep purple colour and the sugar will have removed the sour and bitterness from the sloes. When the time is over, decant the gin. You can filter it if you wish. Bottle it into clean dry bottles and store in a cool dry place. It continues to improve as it matures, and it’s best drunk after a year. (So prepare this year to drink next!)

Enjoy.

My mum made sloe gin from time to time, but her forte was damson gin. It was made in the same way, except she used damsons instead of sloes. I think that was even nicer!

Thanks to The Woodland Trust and Wikipedia for some of the details of this lovely plant.

There are some more unusual drink recipes in my recipe book, Viv’s Family Recipes, which you can get by clicking on the cover of the book in the sidebar. This book has some recipes dating as far back as 1909 and came from my grandma. Although not things we eat nowadays, long cooking and probably too much fat, it’s interesting to see what kind of things people used to eat.

Have you ever made sloe gin, or any other kind of unusual drinks? I would be interested to find out.

Robbie Cheadle’s review of a terrifying book

Robbie has reviewed a book I read many decades ago, but given the state of the world today, I think people should reread it. It is a terrifying scenario about the aftermath of a nuclear war.

During the 1960s, the BBC made a documentary about what would happen in the event of a nuclear war. It was never shown on the BBC as it was deemed to be too frightening. It was released for viewing in private film clubs and I saw it at the Manchester University Film Club. It was indeed terrifying.

I don’t think any of the current world leaders have seen it!

Time Passes

This is the poem for today from my poetry book, From January to June, One Poem a Day. In it there is one poem for every day of the year, including an extra for leap years.

This one is considering how quickly the years go by, especially later in life.

Image by Gerd Altmann from Pixabay

Time passes.

Tick tock. Time slips by,
One tick at a time.
The older we get, 
The faster it goes
I’m wondering why.

Tock tick. Time flows on.
It feels just last year
I could run quickly,
Pick up a hay bale
Throw it to the sheep.

Tick tock. Time goes forth.
It plods without care
Of how bodies grow old
But minds remain young
Think still they can do.

If you enjoyed this poem, or even if you didn’t, I welcome your opinion. Please leave any comments in the comments box.

If you would like to read more of my poetry, click on the image of the poetry book in the sidebar. This will take you to where you can choose to buy from your favourite online platform.

How I Write: The Journey of a Pantser Author

I thought I’d tell you a little about how I set about writing my books and stories today, but first, for those non-writers amongst you I’d better make a few things clear. Writers ignore this as you already know it.

There are two–no, three–kinds of writers.

First are the plotters. They are the ones who write like you were taught at school, setting out to write an outline of their work before beginning. These people might write just a simple outline, but others go much farther and write a chapter by chapter outline. They search for the Inciting incident, decide where the first plot point is going to come, and all the other things we are told a good story needs. Then they refer to this as they write. It helps them to stay focused on the plot and not wander off.

Second are what are known as pantsers. These writers write ‘by the seat of their pants’. They don’t write a plan but simply start writing and see where the story goes. Sometimes they are called ‘discovery writers’.

The third type is a combination of the two, sometimes known as plantsers. These writers don’t have a massively detailed plan, but will often have a very general outline which they sort of follow.

I describe myself as a pantser. I haven’t the patience to write a detailed plan, although I often have something in my head. I often know the ending of a story before I start.

I do like to know my characters, though, so I will look at their background and what brought them to this point, even if it isn’t going to be in the story. People’s backgrounds affect how they behave, so this is important.

But in my Wolves of Vimar series, I have produced 4 prequels giving the background of some of the characters. There may be more to come in the future.

Once I have the characters and know them a bit, I begin to write. I allow things to happen as they occur to me. Sometimes it seems as if the characters are taking over. The first time this happened (in writing The Wolf Pack) I thought I must be going mad, because a character did something I wasn’t expecting. (No spoilers, so I won’t say what it was.) Then I discovered that other writers also have characters take over. They don’t always do as we want them to. One of my characters who first appeared in The Wolf Pack, a small dragon-like creature about the size of a cat, made no appearance in the second book, The Never-Dying Man, nor the third, Wolf Moon, but he demanded my attention, saying he must have a bigger role to play and he could be useful. So Muldee became a spy in Immortal’s Death and had quite a big and important role.

Stories often take a turn from what I originally envisaged. This is exciting. Sometimes it means I might have to change the ending. (Getting the right ending is difficult, so as to leave the reader feeling satisfied.)

There are times when I’m simply not inspired. A story is going nowhere and I spend hours trying to decide what to write. If I force myself to start, I frequently find that things happen and ideas flow that didn’t when I was just thinking about it. I suppose the characters are there and telling me what they want! :)) I have a couple of stories like that at the moment, but I have another project on the go, so they will have to wait.

But this method can take you down rabbit holes. This, of course, means more work in the editing process. It has to be sorted before anything else happens. Parts removed that are unnecessary and don’t add anything to the plot. Maybe characters need removing if they don’t do anything. But these can always be kept for another story.

I often run it through Grammarly or Hemmingway, a couple of grammar checkers. After I’ve done all I think I can do, I post it on a couple of on-line critique groups. These are invaluable and help me polish the manuscript as well as pointing out places where they got confused. Yes, I write confusing stuff sometimes.

Only then is it fit for human consumption, as it were. I don’t have beta readers, unfortunately. I’ve been unable to find any reliable ones, so it has to stand after this.

I hope to soon be back to my third historical novel set in the aftermath of the Battle of Hastings.

Thank you for reading.

If you have any comments, please add them to the comments box, and if you want to buy any of my books, you can click on the cover on the sidebar to take you to the online store of your choice.